Nath on Trading – III – Meat in the Middle

41). If it’s high, it could go higher.

42). If it’s low, it could go lower.

43). Market forces tire the trader.

44). Engulfment in loss and loss-freeze suck one out.

45). That’s exactly why we’re not going to let that happen. You know how. (Hint : stops).

46). Trade selection is the least of one’s problems. It’s no biggie.

47). Trade management separates winners from losers.

48). Proper trade exits are the icing on the cake.

49). Longs exiting in a rising market – hmmm – really?

50). Shorts exiting in a falling market – hmmm – really?

51). What’s that other fellow trading? Who cares?

52). How’s that other fellow doing? You got it. Who cares?

53). The only entity stopping you from outperformance – is you.

54). All your demons – are in you.

55). They’ll slowly come out, over the years, one by one, or some now, some later. Hopefully sooner than later.

56). Let them emerge, show their antics, and disappear forever. Make sure you bid them goodbye.

57). That’s why, you’re trading small, right, till your demons have emerged, created havoc, and then disappeared, forever?

58). You’ll feel it from inside, when it’s the right time to scale up. Develop this dialogue with yourself. A clear voice emerging from within can carry great advice.

59). Sure, you’re looking at trade signals, and sticking to trade rules. However, the voice from within is the net resultant per saldo vector of your entire trading experience. It carries weight.

60). Mostly, it doesn’t come. Clear the way for this voice to make itself heard when you need to listen to what it has to say. Trading, at first, is a bunch of rules. Later, trading becomes an art.

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Who’s the Driver?

Are you an artist?

If you are, you’ll already perhaps know who the driver is. 

Or, maybe, you’re in the process of finding out. 

Ultimately, whatever you’re doing can become an art. 

What drives you?

Are you understanding what I’m trying to ask?

What pushes you on, with the art? What makes you want to create… more? What makes you want your art to be more… bombastic? Powerful? Impactful? Meaningful? Lucrative perhaps? What?

Is it mere ambition?

Naehhhhh, mere ambition is not enough. 

There has to be some kind of… pain. 

You have to ache somewhere, to let it out elsewhere. 

Pain drives. 

It can drive you beyond… itself. 

That’s the thing with pain. 

Slowly, you get used to pain, quantum by quantum. Your system doesn’t feel that particular quantum anymore. It’s feeling the surplus, though. How’re you bearing the surplus? By hanging on to your art. Your art takes you away from the surplus pain that you would have felt. You channelize the force of surplus pain into your art. Your art shines. On the side, you don’t feel a lot of pain anymore. 

It’s really important to understand where there will be learning, and where there probably won’t be. 

I’m not saying non-learning areas are to be avoided. They’re comfortable areas. Nobody likes to avoid comfortable areas. Sure. Nor do I. I’m just saying that comfy areas won’t really be enhancing your learning process. Let’s just be clear about it. If you have any art to express, any kind of art, full expression probably won’t come through if you entrench yourself in a comfort-zone. 

Know what I mean?

Yeah?

Good. 

You don’t need to ask who the driver is. You’ve worked with the driver.